|
|
Eve's Awakening:
(edition of 8), bronze
Size (in): 8H x 18W x 39"L; weight: 100 lbs.
$6750 CAD
including freight
|
|
Click
a thumbnail above to show alternate larger views.
Can't afford a
sculpture right now? Consider donating to support the website, the art,
the philosophy, the cause of beauty...
|
|
The Sculpture:When
I created Eve's Awakening, it was the hardest sculpture I had done,
as I had to present the interaction of two figures that were in intimate
physical contact. I have spent a great amount of time on the movement
in this piece. You will notice that Adam's front shoulder drops where
Eve's hand pushes it down. Because Adam is clasping Eve's hand, her back
arm is drawn downward. As she flexes her foot and begins to lift herself
off of the dormant Adam, the curve of Eve's hip and flank accurately reflect
her movement. By contrast, the slack legs of the inert Adam bear a sense
of heavy slumber though his facial expression shows the beginnings of
his own uneasy awakening.
Eve's Awakening
also seeks to convey the conflicting emotions of lovers who fear
total intimacy with an other yet desire oneness. Eve's face and movement
show her shock at awakening while still joined to a man, or rather a
strange being, of whom she has no knowledge. Consequently, she pulls
away; yet, the unconscious Adam still instinctively holds her hand in
a gesture of love and comfort. Ultimately, man and woman, husband and
wife, will strike a balance between individuality and their condition
as beings of one flesh.
Interestingly, when
many people look at the piece, their immediate reaction is shock that
it depicts people having sex. Not only is this not what the sculpture
shows, but such a reaction is also indicative of shame over sexuality
that exactly reflects our loss of Edenic innocence.
To enhance the meaning
and richness of the piece, I have selected a graduated patina. If you
look closely, you will see that the lower part of Adam's body which
acts as the base for the sculpture is patinated in a uniform dark brown.
Rising upward toward Eve and where the two figures join, the patina
is the same dark brown highlighted with a lighter golden brown, the
same colour that uniformly covers Eve's body. In this way, I show the
blending and gradual physical separation of the first man and woman.
Eve's
Awakening is the largest sculpture I
have made to date and it is equally at home in a garden bed, on top
of a piano, or on a console table.
|
|
The Story:
Eve's Awakening depicts the well-known story of Eve's creation
from Adam's rib. The Hebrew word that is often translated as "rib"
(tsayla) can also mean "side," and there is a rabbinical tradition
where Eve simply splits off from Adam's side. In this piece, I seek to
depict how Eve would react to awakening while in the process of separating
from the still unconscious Adam. |