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Eve's Awakening: (edition
of 8), bronze If you experience difficulty viewing the images on this page, try this alternative. |
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Eve's Awakening also seeks to convey the conflicting emotions
of lovers who fear total intimacy with an other yet desire oneness.
Eve's face and movement show her shock at awakening while still joined
to a man, or rather a strange being, of whom she has no knowledge. Consequently,
she pulls away; yet, the unconscious Adam still instinctively holds
her hand in a gesture of love and comfort. Ultimately, man and woman,
husband and wife, will strike a balance between individuality and their
condition as beings of one flesh.
Interestingly, when many people look at the piece, their immediate
reaction is shock that it depicts people having sex. Not only is this
not what the sculpture shows, but such a reaction is also indicative
of shame over sexuality that exactly reflects our loss of Edenic innocence.
To enhance the meaning and richness of the piece, I have selected a
graduated patina. If you look closely, you will see that the lower part
of Adam's body which acts as the base for the sculpture is patinated
in a uniform dark brown. Rising upward toward Eve and where the two
figures join, the patina is the same dark brown highlighted with a lighter
golden brown, the same colour that uniformly covers Eve's body. In this
way, I show the blending and gradual physical separation of the first
man and woman.
Eve's
Awakening is the largest sculpture I
have made to date and it is equally at home in a garden bed, on top
of a piano, or on a console table.
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Sculptures ©2005-07 Candice Raquel Lee | Web Design ©2006