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Lilith's Flight:
(edition of 8), bronze If you experience difficulty viewing the images on this page, try this alternative. |
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For the ancient rabbis, Lilith was evil for her defiance. Contemporary feminist readings emphasize Adam's domineering nature. In reality, both parties are guilty of a complete refusal to compromise. Thus, their situation is a caution against selfishness for any couple desirous of a lasting relationship. Lilith and Adam are mirror images both physically and mentally; with their eyes closed, both are so absorbed in their own agendas that no communication passes between them. This negative equilibrium is represented, however, as a thing of beauty in Lilith's Flight: the posture of the figures creates symmetry from front and back and a wonderful triangular geometry from all sides, which one can observe in the various views of the sculpture. Lilith herself is a brilliant gold, as if she is transforming into ethereal light, while Adam remains an earthier stippled brown.
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(paraphrased from Robert Graves, Hebrew Myths) |
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