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The Sea (edition
of 4 in cast-stone
Size
(in): 24L x 10W x 9.5"H. $800 CAD including shipping
(Also available in limited-edition bronze by request)
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The
Sculpture: The
Sea is a beautiful goddess, perhaps awakening with a stretch after
dreaming the world and all of us.
In
her pose and regard she recalls the massive reclining Bodhisattvas and
Buddhas of southeast Asian sculpture. Her facial features are those
of a woman from India. Thus, she reflects the influence of my Eastern
heritage. Her hair flows down her back like a stormy sea and her stretch
gives her the profile of a swimmer. In her long flowing hair, which
she languorously tosses with her hand, one can see a small figure of
a man in a boat, looking up at a massive wave about to crash down on
him. In this regard, I take what could be merely a sensual pose and
turn it into a statement of awesome natural power.
The
Sea is even more beautiful and calming in person with her golden-brown
skin and rich blue-black hair. She
is available
as well upon request as a limited edition custom casting in bronze.
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The Story:
This work,
as the name implies, is a personification of the sea as a woman, unaware
of her power. This
illustrates the idea that nature is not vindictive or malevolent, just
so vast in scope that she is simply unaware. Buddhism teaches us to abandon
our sense of self-importance and ego, and my piece is a meditative tool
toward that end. It teaches us that we are ultimately infinitesimal though
this does not matter. What
happens happens.
Traditionally, sailors
in the West have referred to the Sea in feminine terms and women have
long been identified with natural forces. In the East, much poetry has
been written about men drowning in the waves of a woman's hair. Therefore,
my work is also a metaphor for love and how one is struck by this emotion
as if blasted by a tsunami.
The idea of this sculpture
is also partly inspired by Hindu depictions of the god Siva, in whose
hair the tiny river goddess Ganga (the Ganges) is restrained. Drawing
on this aspect of my cultural background, I present what is essentially
a reversal of this male-female dynamic.
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